How many guitars should a guitarist have
3. Which guitar do I need?
This question is really not that easy to answer:
Of course, the choice of guitar depends very much on the style of music that is to be played with it. But of course it's not quite as simple as many make it. Again and again you come across musicians who prefer guitars that are completely unusual for their style of music, and in some cases even seem unsuitable. So you should basically say goodbye to the theory that every guitar is right or wrong for a certain style from the outset.
When the Fender Telecaster (its predecessor was still called Broadcaster) gained more and more fans in the 50s, it was immediately the favorite guitar of the country guitarists. It's not really any different to this day, even though many other types of guitars can be seen under cowboy hats right now. The Stratocaster is quite present with modern country interpreters (New Country, Country Rock), but other guitars that don't really go with the typically treble-heavy and "twangy" country-clean guitar sounds are also appearing.
So trying to put the Tele in this drawer now doesn't work either. Status Quo have been rocking on 2 Teles for over 30 years, and of all people Jimmy Page, Led Zeppelin's guitar wizard, who has always been associated with a Les Paul, has recorded a lot of tracks with a Tele in the studio. B. the complete first LP by Led Zeppelin and the legendary guitar solo by Stairway to Heaven. And yet he always sounds like Jimmy Page and by no means like a country guitarist.
Ted Nugent, the American hard rocker, did a large part of his records and tours with a Gibson Byrdland - how he managed to prevent the guitar from only emitting feedback noises in front of all the fully cranked amps that create the typical Nugent sound are necessary is its secret to this day.
When the Stratocaster started its triumphal march as the successor to the Tele in the 50s, it was particularly popular for its clean, clean sounds - Hank Marvin, the guitarist of the Shadows, made a stylistic device unique to this day. When Jimi Hendrix wrote guitar history in the 1960s, he also played a Strat, but it sounded very different, and suddenly the Strat was also a hit as a rock and blues guitar, and it is still today.
Of course, certain tendencies can be shown. It is no coincidence that certain guitars appear much more often than others in various styles of music. But basically the following also applies here: No rule without exception - in the end it is always the personal taste of the guitarist, his ability to use the instrument, but also the technical possibilities that determine which music he makes with which guitar and how it ultimately sounds.
It usually makes no sense to exactly copy the equipment of a prototype. First of all, the sound depends to a large extent on the player himself and, secondly, it may well be that the star's preferred instrument is not at all suited to you (I would also add that it would not be very interesting if only exact copies of stars were left noisy around ...). That leads us straight to the next essential point:
Not every guitar is suitable for every guitarist: There are guitars that sit very well in your hand from the very first moment, while others still feel "strange" and uncomfortable even after months. The construction of a guitar can also influence the posture and the comfort of playing: On a Stratocaster or Telecaster you need - with the same string strength, mind you - more power than on guitars with the shorter Gibson scale. This is due to the longer scale length and the associated higher string tension and results in an important element (in addition to types of wood and pickups) for the typical sound of these guitars. Many musicians love to fight with their guitars (Jeff Beck emphasizes this again and again; the neck of his first signature Strat should feel as bulky as the hunting club of a Neanderthal man - oh yes, the mass of the neck also influences the sound and sustain!) Others love the comfortable, flat and wide neck of older LES PAULS (e.g. Mick Taylor, Jimmy Page, Slash).
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Not every guitar (no matter how good) can implement a musician's personal sound ideas. A very simple example: If I want the typical treble-heavy country sound, I'm simply wrong with the best LES PAUL. A Telecaster or Stratocaster, on the other hand, is guaranteed to get you on the right path.
Many superstars carry more guitars on tour than they have songs on the setlist. With the equipment that the Eagles (admittedly - 3 full-time guitarists and a bassist) had on their comeback tour, you could equip two medium-sized music stores (which would then have to be very proud of the parts), at the same time there are enough examples at who have a guitar for the whole show. One person only lets a Les Paul (Mick Taylor, Snowy White) on his ears, the other can only favor a Stratocaster (Jeff Beck, Steve Ray and Jimmie Vaughn, Mike Landau, Ritchie Blackmore, Eric Clapton), Michael and Rudolf Schenker the rather rare Flying V, others have their guitar type tailored (Eddie Van Halen, Steve Morse, Steve Lukather, Robben Ford). Of course, most of them played other instruments in the course of their careers, but for the most part, and especially in recent years, it was almost exclusively the ones mentioned live.
Writing about sounds is very difficult because the crucial nuances can never really be put into words. Nevertheless - in the next chapter there is a sound description for the most important guitars and a few typical (not mandatory) possible uses.
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